Post Tagged with: "modern art"

Who Shot Andy Warhol? (The Musical)

Who Shot Andy Warhol? (The Musical)

POP! A New Musical @ Yale Repertory Theater

POP! A New Musical @ Yale Repertory Theater

BY ALEXANDER J. NOELLE

I was thrilled when I saw a poster promoting a new musical based on the life and art of Andy Warhol.

The world premiere run of POP!, underway at Yale Repertory Theater in New Haven, CT, through December 19, has been very well received and was glowingly reviewed in both the Boston Globe and New York Times. It isn’t everyday that an art-themed musical emerges, so I was both excited and apprehensive about seeing it. Warhol is such an iconic figure in the history of art, and I was unsure that a musical could really capture this infamous and mysterious person.

And that is exactly what the musical sets out to do. Instead of focusing on his art, POP! hones in on Warhol’s relationships with key people in his life, like right-hand man Gerard Malanga or transsexual muse Candy Darling. The six figures that flow in and out of the scenes define Warhol more concretely than he ever did, illuminating not only the mind behind the art, but also the mysterious person that they, as well as the art world, were captivated with. They are more than happy to tell volumes about the difficult genius–but Andy speaks his lines in enigmatic tones and hides behind his sunglasses, offering only an empty paper bag to solve any and every problem. He plays the role of the voyeur, much as he did in life.

Darling emcees this over the top murder-mystery musical that takes place in Warhol’s famous Silver Factory in New York City. Set in June of 1968, the show revolves around the attempted murder of Andy Warhol, an event I hadn’t realized had been a part of his life. The Factory is rendered as an industrial yet artsy playground for the cast and serves as a wonderful backdrop to the colorful personalities that epitomize the ’60′s. While there is definitely an art-inspired component to the set (mostly in the form of a large projections and live camera feeds), the focus remains on the personal relationships in Warhol’s life.

My favorite scene took place at a New York City bar where Warhol trespasses on the turf of some famous abstract expressionists: Robert Motherwell, Franz Kline, and Jackson Pollock. The “cowboys” of the art world, Motherwell, Kline, and Pollock are seen here as if they come straight out of a western movie, only they use paintbrushes instead of revolvers. The ensuing duel involves splatter painting, expressions of emotion, and the production of an abstract expressionist work of art on the back wall of the theater. A scathing commentary on this pivotal art movement, it was also incredibly hilarious. Upon seeing the work, Warhol simply comments, “I’ve always liked your little splatter paints. They look like so much fun!”

POP! is an experience not to be missed by any art historian or theater lover. The cast is extremely talented, the story is both fascinating and informative, and this unique study of modern art makes art history not only jump off the page, but also dance, sing, and perform the scandalous but true story of one of the most influential artists of our time.

The audience is left with one burning question: Who is Andy Warhol?

POP! at Yale Reperatory Theater through December 19
Visit their website for more information

Monday, December 7, 2009 2 comments
Thoughts on the Art Institute of Chicago

Thoughts on the Art Institute of Chicago

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Edward Hopper, Nighthawks, at the Art Institute of Chicago

Now that I live in the Midwest, the Art Institute of Chicago will be popping up more and more on this blog, and I promise an extensive Art in Real Life dedicated to this huge institution once I have more than an afternoon to devote to it.  Until then, here are some preliminary thoughts after a whirlwind first visit to the museum…

We began with the brand-new Modern Wing, and though my group of friends and I didn’t get through nearly all of the new addition, I wasn’t as impressed as I thought I’d be. We all agreed it was a fairly predictable receptacle for Modern art, though it was light and airy.  We spent a fair bit of time in the contemporary photography gallery, whose curatorial choices I found somewhat baffling: one wall is covered in grey paper that has been folded over and over, upon which photographs and label text are hung or printed.  Though I wanted to like it (I love paper, after all) I could not for the life of me figure out why the choice of grey, folded paper over painting the wall–it didn’t click.  And while I liked the clear, deliberate juxtapositions the curator had made with the works themselves, the space was too small and had too many people zigzagging around the space to fully appreciate those choices.* 

Admittedly, I’m much more in love with art made before the 1900s than most later works, so for me what makes the Art Institute really worth a visit is their European and American art collection.  Among the highlights: famous Georgia O’Keeffes, American Gothic, Edward Hopper’s Nighthawks (see above), Cezannes and Monets galore, Toulouse-Lautrec’s Moulin Rouge, and of course, Seurat’s La Grande Jatte, among many others.  Rest assured: More of those to come on this blog! We ended our visit with the miniature rooms underneath the grand stairway, a collection of tiny, incredibly crafted historic spaces that are a lot of fun.

Finally, if you like anything to do with Japanese culture, calligraphy in general, or the beauty of a brushstroke, you must go visit Beyond Golden Clouds: Japanese Screens before September 27.  I loved the “greatest hits” of the Art Institute, but that show–from the work it showcases to the clear label copy to the huge room lined with screens–is truly stunnning.

*Edit—Today I spoke with an assistant curator at my own museum and she brought up two great points about the Modern Wing.  First, the architecture really does interact with the city of Chicago: the buildings, the railway, the parks are all visible from the many windows inside it, in a way that isn’t so in the older building, and it creates a much more welcoming atmosphere.  In addition, she mentioned that she thought the photography gallery was curated by an artist–which might explain its unusual setup.  That’s what I get for not having the time to read labels!

The Art Institute of Chicago | 111 South Michigan Avenue, Chicago, IL | Website

Tuesday, August 18, 2009 3 comments