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Thoughts on the Art Institute of Chicago

Thoughts on the Art Institute of Chicago

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Edward Hopper, Nighthawks, at the Art Institute of Chicago

Now that I live in the Midwest, the Art Institute of Chicago will be popping up more and more on this blog, and I promise an extensive Art in Real Life dedicated to this huge institution once I have more than an afternoon to devote to it.  Until then, here are some preliminary thoughts after a whirlwind first visit to the museum…

We began with the brand-new Modern Wing, and though my group of friends and I didn’t get through nearly all of the new addition, I wasn’t as impressed as I thought I’d be. We all agreed it was a fairly predictable receptacle for Modern art, though it was light and airy.  We spent a fair bit of time in the contemporary photography gallery, whose curatorial choices I found somewhat baffling: one wall is covered in grey paper that has been folded over and over, upon which photographs and label text are hung or printed.  Though I wanted to like it (I love paper, after all) I could not for the life of me figure out why the choice of grey, folded paper over painting the wall–it didn’t click.  And while I liked the clear, deliberate juxtapositions the curator had made with the works themselves, the space was too small and had too many people zigzagging around the space to fully appreciate those choices.* 

Admittedly, I’m much more in love with art made before the 1900s than most later works, so for me what makes the Art Institute really worth a visit is their European and American art collection.  Among the highlights: famous Georgia O’Keeffes, American Gothic, Edward Hopper’s Nighthawks (see above), Cezannes and Monets galore, Toulouse-Lautrec’s Moulin Rouge, and of course, Seurat’s La Grande Jatte, among many others.  Rest assured: More of those to come on this blog! We ended our visit with the miniature rooms underneath the grand stairway, a collection of tiny, incredibly crafted historic spaces that are a lot of fun.

Finally, if you like anything to do with Japanese culture, calligraphy in general, or the beauty of a brushstroke, you must go visit Beyond Golden Clouds: Japanese Screens before September 27.  I loved the “greatest hits” of the Art Institute, but that show–from the work it showcases to the clear label copy to the huge room lined with screens–is truly stunnning.

*Edit—Today I spoke with an assistant curator at my own museum and she brought up two great points about the Modern Wing.  First, the architecture really does interact with the city of Chicago: the buildings, the railway, the parks are all visible from the many windows inside it, in a way that isn’t so in the older building, and it creates a much more welcoming atmosphere.  In addition, she mentioned that she thought the photography gallery was curated by an artist–which might explain its unusual setup.  That’s what I get for not having the time to read labels!

The Art Institute of Chicago | 111 South Michigan Avenue, Chicago, IL | Website

Tuesday, August 18, 2009 3 comments
Highlights of Brussels

Highlights of Brussels

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The Royal Museums of Fine Arts of Belgium holds some of the finest Flemish and French art in Europe.  Ever wondered what these masterpieces look like up close?  Not to worry — here are shots of some of my favorite works in their collection, as well as many of the beautiful museum itself.  The building, located in Brussels, in fact houses two museums: the Museum of Ancient Art and the Museum of Modern art (explained in the captions below).  This is the second in the Art History Blog’s series called Art in Real Life, which aims to give context to some of the world’s greatest masterpieces of art.

Click on any of the pictures below to open the gallery; click next (or type “n” on your keyboard) to view the next photo.

TAHB’s Art in Real Life series: Paris | Brussels | Rome

Wednesday, January 14, 2009 0 comments
Highlights of Paris

Highlights of Paris

Revised with commentary There’s nothing like seeing a work of art in person.  After all, do projected Powerpoints or captioned dimensions really mean anything? After spending a semester abroad last spring, and standing in front of famous artwork for the first time, I reaffirmed just how important seeing the true size of art in relation to a person is — it almost always adds a whole new dimension to the work. This little series called Art in Real Life aims to add a little of that feeling to internet-art-viewing by presenting photos of art history’s master works in real life.

The first installment of Art in Real Life is in Paris, home to countless masterworks of art. I was lucky enough to go to Paris when I was abroad, and annoyed many of my friends by insisting they stand in front of artwork so I could get shots of how large the piece actually was.  Have you, too, wondered just how big David’s Oath of the Horatii is or whether you’re taller than the Mona Lisa?  Read on for highlights at the Louvre and the Musée d’Orsay.

Monday, November 24, 2008 3 comments