The Art History Blog

Inspired by a college classmate’s ventures into daily blogging and a thought-provoking blog entry on Smarthistory.org, I’m going to give this daily blogging thing a try with “The Daily Label”.  I’ll be writing a (hopefully) daily, spunky label-style post on one artwork, and at the end I’ll pose one of the questions I might ask you if I were giving you a docent tour in front of the piece I just wrote about.  Respond away (to both the question and the daily label idea) in the comments!

Venus of Willendorf, at the Naturhistorisches Museum, Vienna, Austria. Image by Wikipedia User MatthiasKabel via Wikipedia.

The so-called Venus of Willendorf is one of the oldest and most famous ladies in all of art history, and she’s small enough to fit in the palm of your hand.  Her small size gives us an important clue to the people who made her: she’s portable, hinting that her makers moved around a lot (hunter-gatherers, in other words).  Her 4-inch high frame isn’t the most “realistic” of figures: her female attributes are quite exaggerated.  On top of that, creating figurines of women was much more popular than creating ones of men.  No one knows quite why this is–but most guess that it has something to do with the culture’s great reverence for women’s ability to bear children. 

And where does her name come from?  Like almost every single older work of art, this isn’t the name the artist gave her, but rather the name that stuck after her discovery.  Willendorf is the place in Austria where she was found (she now resides in the Naturhistorisches Museum, Vienna).  As for Venus, the ancient Roman goddess of love, she predates classical mythology by over 20,000 years–prehistoric female figures found in the 1920s, like this one, were often bestowed with the name ‘Venus’.

Answer me this What do you think it is is it about this diminuitive statue that has stood the test of time and fascinated people for so long? Does it draw you in the same way?

References & Resources

Chick lit? Romance novels? Not for the art historian or museum professional, surely!  If you’re looking for a juicy read that you can apply to your day job, look no further than (the regrettably out of print) Making the Mummies Dance by Thomas Hoving.  I’ve been looking for a copy of this book for years, and finally found it for only five bucks among the vast shelves of my new favorite bookstore.  This book not only kept me sane through a week alone in my new apartment without TV or internet, it helped me get back into museum mode after a month of doing little more than catching up on Bravo marathons post-graduation.  

This wonderfully gossipy tell-all from the director who revolutionized the Metropolitan Museum of Art between 1967-77 is readable, informative, and has all the famous and infamous names of the 60’s and 70’s. Hoving doesn’t shy from telling every detail, good or bad, about his former curators, trustees, donors, and enemies — and he’s also not shy about his own accomplishments. I found Hoving’s self-confidence more amusing than annoying, and in my opinion it was often justified: he did, after all, expand the Met’s encyclopedic collections as well as its campus, truly pushing the Met into the household name it is today  Either way, it’s not hard to get past the boasting (to his credit, he does identify what he thinks were his mistakes) and simply enjoy this conversational confessional, with its glimpse into the inner workings of the glittery world of Museum trustees and executives, who jetsetted back and forth between countries every other week, courted donors with grand parties, and built palatial palaces for art in an age before recessions and budget cuts.  Definitely a must-read for any museum professional or museum lover.

Making the Mummies Dance, Thomas Hoving, 1994. Buy from Amazon

WRITTEN BY ALEXANDER

Think you have what it takes to be the next Frank Lloyd Wright and get into his prestigious School of Architecture? Now you can prove it.

In conjunction with two current exhibitions celebrating the work of Frank Lloyd Wright and his students, Google and the Guggenheim Museum are holding a competition for architectural designers of any level. The Design It: Shelter Competition is an extension of the exhibition Learning By Doing, and gives those of us who did not attend the Frank Lloyd Wright School of Architecture a chance to see what it would be like.

Example of a shelter designed by a Wright student.  Kaman Amin (Scottsdale, Arizona), Lotus Shelter, 1963, Taliesin West, Scottsdale, Arizona

So, without further ado, the challenge: Using SketchUp (Google’s 3D modeling program) and Google Earth, create a 100 square-foot shelter and put it anywhere in the world. Keeping with Wright’s style, the shelter must respond to the environment you have chosen and create an interesting dialogue between architecture and place. Furthermore, the human needs of safety and comfort must play a key role in your design. The shelter cannot have heat, hot water, or electricity and must provide spaces for the study and survival of one individual.

Not tech-savvy? No worries–the official website is full of tutorials and helpful hints to guide you in the creation of your design.

This challenge is actually based on an assignment that students at the Frank Lloyd Wright School of Architecture have been doing for over 70 years. Their task is more or less the same, but they must place their designs somewhere in the landscape of the school’s Arizona or Wisconsin campuses. In some cases, these shelters were actually constructed! Learning By Doing showcases plans, models, and photographs of five such projects.

The competition runs through August 23, after which all complete designs will be submitted to both a group of students at the Frank Lloyd Wright School of Architecture and a Jury of Experts. The students will choose ten finalists whose designs will be showcased from September 7–October 10 and will be voted on by the public. At the same time, the Jury of Experts will choose their top pick. On October 21, both winners will be announced at the Guggenheim’s 50th Anniversary Celebration.  Prizes for the winners include cash, a trip for two to New York City, a behind-the-scenes tour of the Guggenheim and the Google Offices, admission to other NYC museums, and a SkecthUp Pro license.

So, what are you waiting for? Get designing — and take me along on the behind-the-scenes tour!

Design It: Shelter Competition | Sponsored by the Guggenheim Museum and Google SketchUp
For information on how to enter, the rules, and the exhibitions, go to Guggenheim.org/shelter

Although we’ve had a bit of a hiatus for the past month or so, we’ll be back to posting soon. For now, I’m implementing a new layout — and ask for your patience, as there will likely be some bugs as I work to fix it live. This new layout should present some exciting new possibilities for the site, and I look forward to posting some new thoughts very soon! Until then, thanks for understanding. Let us know what you think of the new layout in a few days when it’s complete!

Right image: Preparation photo from Thomas Hirschhorn, Cavemanman, 2002, at the Carnegie Museum of Art, Pittsburgh (Photo courtesy CMoA’s Flickr stream)